Most of the time you pick up a record, listen to it two or three times, and maybe like it. You remember every song after the first listening, have your favourite ones after the second time, maybe already know some of the words. You understand the song structures, the riffs, the composition, if you like the record it gives you a good feeling. But sometimes you listen to a record that's very different - the music that beats down on you is so complex it's hard to follow the songs, with a shitload of riffs is packed into every single song, when you listen to the record for the first time you turn it off after three tracks because you can't handle it. If you knew Starkweather before their latest record on Deathwish (they're already around since 1989), you know what kind of record "This Sheltering Night" is: a complex, harsh, uncomfortable one. By the way, props go out to Deathwish for releasing awesome records like this and not only mediocre crap like Killing The Dream. So I think in a way Starkweather translated 70ies Prog-Rock à la King Crimson into (Post-)Metal, with all its weird riffs, chords, time signatures and guitar leads, all very heavy and very, very dark. The most outstanding thing about Starkweather is (and always were) the vocals though. It is simply unbelievable how one person can come up with so many different voices (and not sounding like someone who tries to fake them). From sung vocals to nearly guttural ones, screaming, whispering, it's all there and all good. As good as it is, I have to make clear that "This Sheltering Night" is definetely a record that demands a lot of time. I listened to it for quite some time now and still discover new aspects, new layers of guitar underneath the riff-storm on top or new sick breaks I haven't perceived before. So if you like to spend a lot of time with one and the same record, and wish not to get bored after two days, check out "This Sheltering Night", if you're looking for your rather generic Hardcore or Metal record, better stay away from this one.
Friday, September 17, 2010
Pulling Teeth/Shin To Shin split 7" (Review)
When I read the news that Aaron Melnick of Integrity/In Cold Blood fame would release a split 7" with his new band Shin To Shin and Pulling Teeth on the flipside I was so amazed I couldn't sleep for three days. Aaron Melnick is definetely in the 5 of the most influental guitarists for me - I stopped counting the riffs I stole from him. As you might guess after this introduction, I really expected A LOT from Shin To Shin. But when I listened to one of the tracks online as soon as possible, I was quite disappointed. On the one hand I probably expected to much, on the other hand I didn't really know what kind of sound to expect. Of course I ordered the 7" anyway, and after it took a few spins on my record player I had to reconsider my opinion. I think what turned me off the first time was the fact that Shin To Shin's riffs aren't in the fashion of Melnicks "early works". The music hasn't too much to do with the classic Clevo-Hardcore sound, but, in my opinion, a whole lot with first wave Black Metal, think of bands like Hellhammer, early Celtic Frost and, most of all, early Venom. This, a little bit of Motörhead'ish rock and Discharge's wall-of-sound brutality is what Shin To Shin sound like, well, at least in my ears. And the more often I listen to it, the better I like it. It's different, it's not very Hardcore'ish, but it's hard, and that's the important thing isn't it?
On the flipside, like I mentioned before, Pulling Teeth. This song was already avaible online for quite some time, sounds like Slayer meets Integrity and is awesome, like all of their stuff. Nothing more to say. Oh well, one more thing: the artwork sucks, what's the matter with a bunch of bugs? I don't get it.
Labels:
Black Metal,
Hardcore,
Metal,
Review
Hatewaves - Taste The Beast (Review)
A while ago I received a five-7"-pre-order-package from A389 Records (what else...), but due to the fact that I fall asleep after 30 minutes at most after I come home from work, I haven't found the time to review that stuff. And if I keep up this rate I'll have all five 7"s reviewed in January 2011. Nice. Anyway, I'll start with the Hatewaves 7" because of all records in the package I like this one best. Hatewaves is another band with Dom from Pulling Teeth/A389 Records on guitar, so I knew already beforehand that this record wouldn't suck. Somehow this band reminds me of a faster version of Until The End, especially the style of the (backing) vocals, the production and, most of all, the super heavy moshparts. But don't expect this "mosh part during another mosh part"-thing Until The End celebrated in excess, Hatewaves keep it rather short, but nonetheless heavy. Throw in a few blast beats here and there, pissed-off lyrics (on this record is the first anti-facebook-song I know...), a bunch of catchy sing-alongs ("there's nothing free but death and air, I pay no taxes I refuse to share" <= I've had these lines in my head now for weeks) and you'll get a quite amazing Hardcore record. By the way, on the label's website it says "Brutal, stupid and awesome grind/hardcore". Now it's time for me to practise spin kicks.
Hatewaves on pahardcore.com
Hatewaves on pahardcore.com
Wednesday, August 18, 2010
Morning Again reunion confirmed
I realized a lot of people coming to this blog via google because they searched for information concerning the Morning Again reunion, so here's the newest info from Stuck In the Past:
It's true: Morning Again will play one reunion show this year: The show will take place at Churchill's Pub in Miami on Saturday, December 11 2010. More details will be released later this week but the following bands are scheduled to play:
Morning Again
Kids Like Us
All Hell Breaks Loose
Remembering Never
Knock Em Dead
Homestretch
Harbinger
The lineup for the band will be John and Steve on guitar, Jerry on bass, Kevin on vocals and Matt on drums.
It's true: Morning Again will play one reunion show this year: The show will take place at Churchill's Pub in Miami on Saturday, December 11 2010. More details will be released later this week but the following bands are scheduled to play:
Morning Again
Kids Like Us
All Hell Breaks Loose
Remembering Never
Knock Em Dead
Homestretch
Harbinger
The lineup for the band will be John and Steve on guitar, Jerry on bass, Kevin on vocals and Matt on drums.
Friday, July 30, 2010
Pale Creation - s/t 7" (Review)
When I heard that Pale Creation were about to release a new 7", I was more than stoked. I mean their last record was released in the last century, who would expect to get the chance to listen to new Pale Creation songs at all? Not me. And of course my expectations were quite high - to me, the Twilight full length is one of the most outstanding records of the 90ies. Surely rooted in Clevelands Hardcore scene, Pale Creation managed to create something really unique. It's not just Hardcore mixed with Metal, so way deeper than that. I'm not sure if Neurosis was an influence, but I think the comparison is not too odd. The factor that really made me an Pale Creation addict are the guitar solos: They're not of the Thrashy kind like those of Integrity for example (which are, of course, awesome as well), but more atmospheric, with loads of delay onto them, and a very smooth neck-humbucker sound. It's the kind of solos that let you shiver.
To make a long story short: the new 7" doesn't sound exactly like the Twilight record, which isn't too surprising when you consider the timespan in between, it sounds different but still awesome. I'd say it's more a mix of the (split-) 7"s and the full length, soundwise, and the songs are just plain great, really, there's not much more to say about it. The song on the A-side, "Rose Colored Haze", comes with an super spheric intro, then the guitars all of a sudden start, and you get washed away by a whirl of harsh vocals, double bass, and the heaviest riffs pressed onto vinyl in 2010. The solo ain't missing as well and it completes the song in a way only Pale Creation solos can. The song on the B-side, "Wake Of temptation" starts calm, with sung (!) vocals, and leads to the chorus, where Dwid Hellion is doing guest vocals. And whereas I still don't like his vocals on the new Integrity full length, here he's doing an awesome job. All in all, I think "Wake Of Temptation" is arguably Pale Creation's best song ever, and for damn sure the best song released in 2010 so far. Seriously, I'm addicted to this song. It's emotive, it creates a tense atmosphere, it's heavy, dark... I don't know, it's hard to describe music in words. Just go get this 7", and if it's the only 7" you buy this year, so be it. There's not likely anything better to come.
Pale Creation:
Labels:
Hardcore,
Holy Terror,
Review
Tuesday, July 27, 2010
Black Breath - Heavy Breathing
Black Breath got my attention sometime last year, when they got featured in the same fanzine like my own band. They had one record out, "Razor To Oblivion", a 10" I purchased shortly afterwards. A heavy, solid record for everyone who likes rough Hardcore and Swedish Deathmetal (so obviously this record was made for me, haha), giving you a good 50/50 mix of both genres.
Their new record entitled "Heavy Breathing" was released via Southern Lord Records, somehow I missed to order it directly, so one day I checked the SL-site again when the vinyl version's gonna be released, and found out it was already sold out. Bummer. But Per Koro Records from Germany got some copies shortly afterwards, so I finally got mine. And, as you've probably heard somewhere else, this record is fucking awesome. It leans definetely more towards early Swedish Death Metal, sound- and songwise, a.k.a. Entombed "Left Hand Path" era, Dismember "Like an everflowing stream" era, or, not so Swedish but for sure influental for those, Autopsy. Heavy, groovy Death Metal riffs, uptempo beats but not ridiculously fast, that's the way it goes. Add a good dose of Motörhead and Discharge, put a Boss HM-2 pedal between guitar and the old Marshall, there you go: Black Breath. The vocals are the main factor reminiscent of Hardcore, but don't get me wrong: "Heavy Breathing" for sure eyes more towards Metal than the previous record.
The first Black Breath full length should complement everybody's record collection (if available haha) who likes his Death Metal "Stockholmish", his Hardcore raw and/or his hair long. Amazing record that leaves me longing for more.
Black Breath:
Myspace
Facebook
Southern Lord Records
Their new record entitled "Heavy Breathing" was released via Southern Lord Records, somehow I missed to order it directly, so one day I checked the SL-site again when the vinyl version's gonna be released, and found out it was already sold out. Bummer. But Per Koro Records from Germany got some copies shortly afterwards, so I finally got mine. And, as you've probably heard somewhere else, this record is fucking awesome. It leans definetely more towards early Swedish Death Metal, sound- and songwise, a.k.a. Entombed "Left Hand Path" era, Dismember "Like an everflowing stream" era, or, not so Swedish but for sure influental for those, Autopsy. Heavy, groovy Death Metal riffs, uptempo beats but not ridiculously fast, that's the way it goes. Add a good dose of Motörhead and Discharge, put a Boss HM-2 pedal between guitar and the old Marshall, there you go: Black Breath. The vocals are the main factor reminiscent of Hardcore, but don't get me wrong: "Heavy Breathing" for sure eyes more towards Metal than the previous record.
The first Black Breath full length should complement everybody's record collection (if available haha) who likes his Death Metal "Stockholmish", his Hardcore raw and/or his hair long. Amazing record that leaves me longing for more.
Black Breath:
Myspace
Southern Lord Records
Labels:
Death Metal,
Hardcore,
Review
Tuesday, July 20, 2010
Agalloch - Wooden Box 7xLP
I've waited quite a long time for this. But after I saw the massive box, I knew it was worth it. What more can I say, check out the pictures, and if you haven't yet, check out Agalloch, especially their latest record, "Ashes against the grain".
The box
Logo detail
The open box
Booklet (contains all lyrics) detail
Booklet detail
Slipmat
The four records (three of them are double LPs)
Box detail
Call me a nerd, I think it's beautiful and totally worth its price.
The box is exclusively available through the Viva Hate Records webstore.
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