Liers In Wait - Spiritually Uncontrolled Art EP

Death Metal time again, today: the only official release by this Swedish band called Liers In Wait (which was released in 1991). I believe they named themselves after that line in "Abominations" by Morbid Angel: "Liars in wait, priests of the night/Make images to burn by the moon/Robbing the spirit, raping gods law/Send up our hate to burn heavens gate" and changed the A to an E. But that's only a guess. Liers In Wait have musically way more in common with what was happening concerning Death Metal in the USA at that time than with the "typical" Stockholm- or Goteburg-style. I'm thinking of bands like Morbid Angel (obviously), maybe Cannibal Corpse and Deicide above all. You know that means we're more on the technical side of things. Loads of riffs, sick harmonies, strange rhythm patterns, you name it. What makes this record so awesome is that Liers In Wait managed to keep their songs technically, catchy, groovy and super heavy at the same time, not to mention the superb production. The band came to live after the break up of Grotesque 1990; their main songwriter Kristian is also the dude behind the songwriting in LIW. Whereas two other guys (Tomas and Alf) of Grotesque went to form what would become one of the best known Swedish Death Metal (and, not their fault, quasi proto-metalcore) bands ever, At The Gates, LIW never really made it, although they definetly had their chances. I'm very curious to listen to their other releases, their seems to exist a demo and even an unreleased LP, but none of it seems to be findable anywhere in the depths of the internet. So if anyone has this stuff or knows where to download it, write me! Most information given here is taken from Ekeroth's book, what else. 

Judas - s/t 7"

Judas is a band from California, thrashing out some of the heaviest Hardcore imaginable. You already know what to expect just looking at the dark, disturbing artwork, which looks really awesome and contributes a quite big part to the overall violent and dark atmosphere. The lyrics get spitten out in short phrases, not unlike bands like Dropdead, but way sicker. "I am here/From the depths of hell/City streets I dwell/Control this world I shall/Judas lives" (Ascension). That's one song. So as you might guess, the songs are rather short, burning out in an explosive mixture between Powerviolence and Sludgecore, taking no prisoners.  

At first I wanted to order this record directly from the label (16 Oh), unfortunately I never received my 7", nor any replies to my e-mails. So I bought months later from a mailorder in Germany, being glad I wasn't a cry baby not buying the record again haha. Because this shit rules. I wonder why there isn't much more rave about this band.

Judas on myspace.com

Instilled - Unfinished Business

If you're one of those people who think that American Nightmare should have split after their first 7", Blacklisted lost track after their first full lentgh, and the Frostbite EP is one of the best 7"s ever, this record is for you.
"Unfinished Business" (released on State Of Mind Recordings) delivers seven songs of hard hitting, tough, fast and passionate Hardcore, just like the aforementioned bands and not of a worse quality, sound and songwriting-wise, the last song, "Looks like rain" for example is catchy as hell.
It's really a bummer this band split up without any further releases; if they've kept going (or if this 7" would have been on a bigger label like Bridge 9) they surely would be one of those cult bands. But sadly enough that didn't happen, so Instilled remained largely in the underground of Hardcore. Which isn't a bad thing anyway. After the split up some members went to form a new band called Depression, but they split up not too long afterwards as well. I don't know if Depression ever recorded anything, maybe a few demo tracks.

Acrid - Bombs Of Death Split 7"

Just in case that you brush you teeth with a steel brush, and stick large nails up your nose because you "somehow like" the feeling, this is for you.
Acrid should be known; their musical output is the meanest and ugliest way to play Hardcore, in a way they are to Hardcore what early Mayhem were to Metal: a punch in the face. The production's super raw, you barely hear any riffs or anything remarkable, most of time you just feel like getting hit by a train. The songs on this split 7" are not any different; before you realize what's happening to you, it's over. Your daily dose of "poisonfree powerviolence". IMO more interesting, due to the fact that those two are the only songs they've ever recorded: Bombs Of Death. BOD are basically Spazz, Assück and Struggle members, kicking out super heavy, mean Thrashmetal-Hardcore-Crossover, musically not unlike current bands like SSS or Municipal Waste, but without the "fun" content. Everything's about heaviness, darkness and brutality. It's really a bummer that those two songs (clocking in at 3:10 minutes) are everything this band ever recorded. I'd love to have at least a full EP of that.


Info about this split on the No Idea records site

Damnation A.D. - st EP

I guess I have mentioned often enough how much I love Damnation A.D. So no more talk about that. What I've uploaded here is Damnation's self titled 7" (at least I think it's self titled, since the cover only says "3:59/3:54", which are the durations of the two songs). This 7" was recorded in September/October 97, so I guess it was probably released in late 97/early 98, and that means in between the Misericordia 10" and the Kingdom of Lost Souls full length.
What's god about this 7": the little picture on the cover of Hillel playing his Flying V and wearing a gasmask (click on the picture to get the full resolution), the two songs ("The Mortal" and "Hasn't happened yet"), which are nearly as rough as the ones on Misericordia, but bringing up the heaviness of the "Kingdom" material, and the pessimistic lyrics. What sucks about this 7": Like of most releases on Victory records at that time, the artwork of this one's a fucking joke. Besides the picture of Hillel. 

Ok, the lyrics:

Eyelid - Bleeding Through EP

Sometimes I wonder why there are so many good Hardcore bands from the 90ies that are mostly ignored or forgotten today. I mean every band that recorded a shitty demo in a basement, even it is the worst shit you've ever heard, is considered cult and a "must-know", just because it's from the 80ies.

Eyelid is one of those forgotten bands from the 90ies; the strange thing is that they had the best chances to be remebered: former members of Strife, records on Indecision and a quite unique sound.
On this 7" (released by Phyte Records) you'll find three tracks that were also released on their 1995 demo. The songs are a lot more straight forward then the stuff they did later on, especially on their "If it kills" full length, and they're really damn good. You'll get grooving 90ies Hardcore, not unlike early Earth Crisis for example, but with that certain "westcoast-vibe".

One funny thing about that 7": as you can see on the backcover it says: "available only on summer tour 1996", but in fact that tour (which should have been with Strife) never happened, so the 7" wasn't avaible until Eyelid toured in 1997.

The Final Plan - Dead End Nights

This 7" was released years ago on the now defunct Dead By 23 Records, a small label that put much work into every detail of its releases, so that some of the 7"s (I think they've only released 7"s) became quite valuable collector's items. Besides this one the Frostbite 7" is my favourite release on DB23, I guess I'll post that record some time soon as well. But lets talk about The Final Plan. Like so many times, I don't know anything about this band. I think the only release they had besides this 7" was a split with a band called My Luck. But if you listen to this record you'll know in a second in what time it was released -  a time where American Nightmare and Panic were the real deal. This record sounds really a lot like Panic on their first two 7"s, especially the vocals. But The Final Plan were definetly able to stick up from the countless AN copies at that time, by bringing in a little bit of a Clevo-feeling, with a little bit of double bass here and there and some sick guitar solos similar to bands like Integrity. Sounds weird, but the music speaks for itself, I really think this is a very underrated record, by a very very underrated band that managed to fuse 2k1 "Bridge 9" Hardcore with Clevo brutality.

Lost in: Siege

Siege from Weymouth, Western Mass were arguably one of the most influental bands for the first wave of American (and to a certain extend surely European) Grindcore and Deathmetal bands, and definetly coining for 90ies Powerviolence, although they were surely a Hardcore-Punk band.

But due to the fact that they were probably the fastest Hardcore band at that time, and had those really slow, mean breakdowns, they are often cited when it comes to the beginnings of extreme Metal and Grind. They were around from 1983 to '85, only released a six song demo and three songs on the infamous "Cleanse The Bacteria" compilation. All those tracks can be found on a compilation that was released the first time in 1998.

Like I said, the music's extremly fast, almost blast beat tempo, I mean there's not much missing, the lyrics are angry as fuck and nihilistic, and the overall feeling is comparable to the early Napalm Death or Discharge.

On youtube you can find some videos of Siege like this one:

I guess they all were shot at a school band competition or something, which explains the blank white room hahaha. Pretty weird but pretty cool. If you can't have enough of Siege live, there are also two live sets, one from '84 and one from '85, but don't expect too much. At the '84 set from Hartford, CT all you hear is noise and someone screaming his guts out in the back. The '85 show from Stamfort has a little bit better sound, but still you don't hear much of the music. But hey, it's Siege. Besides that I have found a short interview that originaly got released in Suburban Punk Zine. 

SIEGE from Suburban Punk #6, spring '84
A relatively new band on the local scene is Siege. Although they haven't done a Boston gig yet, this intense 4 piece have been making waves with their aggressive, gripping live shows in Western Mass. and Providence. They have a 6 song demo out now, done at Radiobeat in February. Siege's sound could be likened to a train going around a curve at top speed, about to derail but never quite going completely out of control and going off the track. Andy and I talked to Siege outside the Living Room following their gig at the Punk Festival. Siege consists of Screaming Kev Mahoney (vocals), Kurt (guitar), Henry (bass), and Rob Williams (drums).

SP: Let's start with a typical question--a short band history.
Rob: We've had this singer, Kev Mahoney, for about 6 months and that was the turning point for the band. I'd been jamming with the 2 guitarists, Kurt and Hank, for a period of about 2 1/2 years, which was shit until we got Mahoney and we auditioned him and knew he was our man.
SP: Where you guys from?
Rob: Weymouth and Braintree.
SP: Why haven't you played Boston yet?
Rob: We've tried, but they're unwilling to accept new bands in town. We're doing our best. $5 for 2 bands at the Channel is too much.
SP: Are you happy with the way the tape came out?
Rob: Very happy. Lou (Giordano) was extremely reasonable. He took a lot of time to make it sound good. We're very pleased with the outcome.
SP: "Grim Reaper" is a lot different from your other songs. Are you planning to do more songs like that in the future?
Kurt: We want to branch off a bit.
Kev: We're basically a thrash band. We're into power. That was somethig that started off experimental. We did it on the spur of the moment and it was so well received that we decided to attach it to each of our sets.
SP: And you played sax in the studio on it?
Kev: Yeah. It was sick. I played sax in a ska band for about a year and a half.
SP: What kind of message are you trying to put forth through your music?
Kurt: We're trying to save the world.
SP: A minor mission.
Rob: We think there a lot of atrocities in the world, a lot of bad shit and it looks pretty bleak, it's out of our hands. There's really nothing that can be done by you and I about nuclear war.
Kev: We like to speak our piece, nonetheless.
Rob: We're holding a mirror up to society. Anything that pisses us off.
Kev: We like singing about things we hate 'cause then we can channel the hate of the subject into the performance.
SP: Saying it is one thing, but doing something is another.
Kev: We're doing more than saying it...
SP: Do you feel ambitious enough to change things you hate?
Kev: Definitely. We're not just saying it. Every song is from our heart.
Hank: We see it happen and then we write it.
Kev: Yeah, like Kurt wrote a song, "Life Of Hate," after he was working on a job with all these bigots, hearing racial slurs all the time.
Rob: You hear a lot of bands say shit about what their political stance is and we're trying to breathe new life into it because, in some people's opinion, it's become run of the mill. We're trying to change that with high energy live performances. We're musicians before we're political activists.
SP: Why did you pick the name Siege?
Rob: It means attack. We came across it on a huge list. We sat around for 2 hours to think of the best name.
SP: What's your most memorable gig so far?
All: Tonight. Western Mass., too.
Kurt: I'd like to say the WMass scene is cool. I think a lot of Boston kids shouldn't stick their nose up at it.
SP: What are your future recording plans?
Kev: Maybe vinyl by the summer if we come up with some cash.
SP: What are your influences?
Kev: DRI, Discharge, Void, Black Flag.
SP: Anything else you want to add?
Rob: I want to say I enjoy Suburban Punk!
SP: Check's in the mail!

Eyehategod - Southern Discomfort

October may not be the perfect time for listening to Eyehategod, I mean it's way to cold outside for that. I always think of a dirty, hot, huge city with traffic jams, motorcycle-gangs and drugs when I listen to EHG, not of Münster full of students, bikes, and a nice October sun. Anyway, this morning, around 7:45 AM I was on my way to work (!) on my bike (!!) and it was about 10° C max.(!!!), which is not the situation where I would choose to listen to Sludgecore kings EHG. It's like listening to old Darkthrone while lying on the beach. But today I had my Ipod on shuffle mode, and suddenly Dopesick Jam, a 15 minute monster of a song got pumped into my head, and that gave me such an intense feeling I decided to upload that record. 

Basically "Southern Discomfort" is a collection of rare songs; Tracks 1-6 are demos from the "Take As Needed For Pain" (which is probably my favourite full length by EHG) era that ended up on "Ruptured Heart Theory" 7" and on the two split 7"s with 13. The tracks 7-9 were preserved on tape during the "Dopesick" sessions. Although it's a collection, it's a really good album to listen to, the sound's not very different from track to track, and you get some of EHG's best songs like Depress, Ruptured Heart Theory or the mentioned Dopesick Jam. I guess I don't have to tell anybody how EHG sounds like. If you're into sick, dirty, drug and alcohol fueled, Sabbath-worshipping Sludgecore, you can't go wrong with EHG. Together with Buzzoven and Grief they basically invented that genre. Dopesick.

The Swarm a.k.a. Knee Deep In The Dead

The easiest way to identify a true Hardcore kid: ask what's his/her favourite "Chris Colohan band" is. If the answer is "who is Chris Colohan" the conversations over before it even begun. If the answer is Cursed, chances are good you're talking to someone who bought a Cursed CD because he/she saw it at the Deathwish e-store. I mean, not the worst person on the planet, but you know, if the answer is Ruination or Left For Dead, the person is REALLY cool and worth your time, and most probably true to the bone. But if the answer is even The Swarm, you've found a dead true Hardcore kid with a great taste in music. To be honest, this is quite subjective, but I can't think of any other 90ies Hardcore band being that influental for me, besides Unbroken of course. But there're even two things The Swarm and Unbroken have in common: Slayer riffs and the straight edge. Well, now I'd go for the Slayer riffs haha. So it all makes sense. Take the heaviest breakdowns, the most brutal speed, the meanest Thrashmetal parts, the most insane vocals, and you may be able to picture out how The Swarm sounds like. I've uploaded everything I could get my hands on in the internet, since I do not have the equipment to rip vinyl myself. I know that there is some stuff missing, for example there is a track by The Swarm on a 7" compilation called "Prevent This Tragedy - Skate-Core Compilation Vol. 1", which was released on Element Records from Cleveland by the end of the 90ies. But like I said, I cant't rip it. And then there may be compilation tracks, or demos I don't know nothing of. So if you know (or even have) some tracks that aren't uploaded here, please let me know. Please click on the pictures to get them biiiiiiiiig. 

Please note: I deleted all the downloads a while ago, but if you know how to use Google you should be able to find everything quite easy.

So here we go:

Old Blue Eyes Is Dead
Arguably my favourite record by The Swarm. Sick production, insane packaging (you have to flip the head on the frontcover away do get the inner sleeve out and fancy stuff like that) and top song writing.A killer record everybody should have.




Parasitic Skies
I guess this 10" is nearly as perfect as the OBEID 7". Only "nearly" because the packaging isn't that insane, and I think the songs on the 7" are a little bit more to the point. But still an awesome record for damn sure. We even paid an homage to the cover with the cover of our first full length on vinyl.




Split 7" with Mörser
This split 7" was released on Per Koro Records from Germany, and symolizes the clash of Canadian brutality and Bremen's insanity. Both bands deliver something completly unique, The Swarm their known fast Hardcore meets Slayer meets darkness madness, Mörser their Grindcore meets Bremen Hardcore. Mörser features members of 90ies bands like Systral; imagine their music mixed up with Terrorizer to get the picture. Although not the best songs both bands ever recorded, definetly above the average other bands have set. Great artwork as well, so this is definitely an item to get your hands on if you get the chance.



Split 7" with Force Fed Glass
Well, to be honest this is weakest release of The Swarm I know. In general the songs are a little less metallic and lack the sick ideas of others. The Black Flag cover (Revenge) is pretty cool anyway. Force Fed Glass are ok, but there were (and are) better bands imo.

Compilation tracks:
This track called Lament was released on a compilation called "The Sound And The Fury" on a label called Redstar records (that has nothing to do with the New York based label Red Star), that features also songs by Chokehold and Another Victim plus a lot more of bands I've never heard of, most of them playing some kind of metallic Hardcore. I've decided to upload only the track by The Swarm anyway, which is actually really good and could've been released on the OBEID as well, so it's definitely worth a listen. On the same compilation is a hidden track also by the Swarm, just a few seconds, just for fun haha.

Another exclusive compilation track can be found on the Prevent This Tragedy Vol 1 Compilation (like I mentionend above). The song itself is rather simple, only 40 seconds long, and the lyrics deal about the Ollie impossible. Yeah.

Lost in: The Facts

After consuming quite some decent red wine and quite some decent Iron Maiden records I've finally decided to do the world's first and only special about an infamous and notorious band called: The Facts. The Facts were a Hardcore band from Münster/Oelde (Germany), which only released a demo and split 7". So you may ask, there are thousands of bands that only release a demo and 7", what's the fucking deal? To explain that, I have to tell you a little bit about myself. After graduating from school I moved from the small village I grew up and lived in to Münster, which is about 800kms from where my parents still live. Of course Münster isn't a huge city, but it had (and still has) a quite vivid Hardcore (or more general: music) scene going on, mainly due to the fact that a lot of students live here. So one of the first bands I could get in touch with on a personal level was The Facts. Another interesting fact (LOL) about The Facts is, that the other band on the split 7" was a band called The Swords, which featured members of Ritual, a band every single Hardcore kid on the planet knows, or should, at least. The Facts basically broke up after their first real tour; their bass player Lars left the band shortly before, one of their guitarists, Manuel, during that tour. They finished that tour with Ritual's guitar player on bass if I remember that right. The bass player went to sing in my band, Goldust, The Facts' singer Marc had (and maybe has) various Hardcore bands, Manuel became a roadie for German's transitory indie band Madsen and later played a short time in a band called The FA, but that's already years ago. Ebbing and Waddim (drums and guitar) are still around, chances are good you've already saw them when they where on the road with Ritual.
What can I tell you about The Facts' music? Obviously it was heavily influenced by Some Girls and Unbroken; further influences probably were American Nightmare and Daughters. Their style of Hardcore definitely was fast. I mean, really fast, fucking pissed and it had that weirdo attitude bands like Some Girls had. But I'd say you download the one and only The Facts discography to get the picture yourself. Contained are the demo tracks, the songs from the split 7" with The Swords, five unreleased songs from the same recording session and the promo recordings they did 2006 after their disastrous tour, which weren't released as well. I'm not sure about the line up they had then, I guess Mark, Ebbing and Waddim still were in the band, but I don't know anything in detail. Thanks to Christoph for giving me those promo recordings, I think those are the best songs The Facts ever did. Another interesting fact about the pictures in this post: they were taken by Robert, who later played (and still plays) guitar in Goldust. The interview posted here was done for Final Expression Fanzine #2 by myself after the show where the pictures were taken, which took place at 3/11/05 at a show where The Facts supported Sex Positions at the Baracke in Münster.

Who still doesn’t know The Facts from Münster/Oelde should remedy this ASAP. At least if you’re into fast, true, emotional and modern Hardcore. I’m into it, how couldn’t you like a band that covers Limp Wrist?! So we did this interview after a Sex Positions show in the Baracke in Münster where The Facts were opening. The interview was done with Mark (M), Lars (L) and Manuel (MA) by Robert (R) and me (C). Shit talking galore, check it out:

C: Ok, what do you think of Sex Positions that played just before? (laughing)
L: I think we have the same opinion.
M: Well, I enjoyed watching them, but it didn’t knock me out or something.
R: Perhaps they still were a little bit tired.
M: Yeah they had a long flight and everything. (Manuel’s joining)
L: Hey dude, what do think of the Sex Positions show?
MA: Quite alright, but not like on the records. But I guess it’s hard to play it live like on the records.
R: The sound was a little thin I think.
M: Usually they have two guitarists, but one of them stayed at home.
L: I think there’s only one founding member left.
M: Who’s that?
L: The singer… no the guitar player… I don’t know. Well two days before the tour the second guitar player said he wouldn’t do it, he wouldn’t be into it anymore or something like that. Anyway, we wanted to talk about the show. I thought the dancing style of the singer was quite funny.
R: Would have fit to Righteous Jams as well.
L: Yeah but also to…
M: David Bowie. (laughing)
MA: David Bowie is cool!
M: He’s awesome!
L: Well, it was ok, but they’ll have to come up with little bit more.
M: They have another chance in Bremen; there they’ll play as well. I’ll check them out there for sure, too.
C: Ok, so if you’d tell me who everybody is and what he’s doing in The Facts?
L: I’m Lars, I play the bass and… I’m into the thoughts of the band as well.
MA: Manuel, guitar.
M: I’m Mark, the singer.
C: Manuel, you haven’t played in the band from the beginning, have you?
MA: No we started to rehearse together around January the first, because they needed a second guitar player. Because the song writing should evolve.
L: I think we’ve done that quite well. And we played our first show with you in Münster as well I think.
MA: No our first show was in Recklinghausen.
L: Yeah with the complete new line-up with Sidetracked and The Swords. Anyway, Manuel is a very good addition to the band… no, he’s even more, he’s really doing much more for the band.
M: And he looks good doing this.
C: That’s important as well.
R: For the appearance of the band at least.
L: A little bit of slutiness is definitely ok… (laughing)
C: And how have The Facts been running before Manuel joined?
M: At the very beginning The Facts only were two people, me and Waddim, I also played drums on the demo. Of course we needed someone to play the drums live, so Ebbing joined us, because he also plays in my other band Dead Man Walking, then I asked Lars if he’d be into it, and later Manuel joined us as well. Now we’re a complete band, we want to rock this year [he really said that…], get something done.
C: Yeah you’ve mentioned a 7”…?
L: We’re going to release a split 7” with The Swords, which is basically people of Lotus [which was pre-Ritual] playing some kind of Swing Kids–vegan mosh you could say, the record should be released by the end of April.
MA: More like May.
L: Yeah May, on Goodboys Records.
C: Who’s writing the lyrics, you? (to Mark)
M: Yes I wrote all the lyrics for the new 7”, at least of the three new ones, I wrote all the demo songs and five new lyrics have been written by Lars.
L: Basically we’re sharing that. If one of us has a cool idea we’re looking at it together, work on it, add something or erase something. I think Mark and I complement pretty good. I guess what we put down to the paper is worth a look.
C: The lyrics are quite emotional and personal, is that something you do intentional, that you want to write about stuff like that exclusively, or could you imagine to write about different things as well, politics for example?
M: We even have a political song on the new record; I think it’s really important to have political content in the lyrics. One song always has to be a little bit different.
L: The basic ideals are anti-homophobia, so you could say we’re homophile, go veg, v-e-g, vegetarianism definitely, the opinion about straight edge differs a little bit. Oh and although it’s no part of the lyrics we’re definitely anti-sexism. But the question was about emotions. It’s like that, I deliver a big part of the lyrics and… I couldn’t write about something else but things that affect me. I always try to keep it as complex and abstract as possible, so everybody can get something out of it, and I hint things pretty often. You wouldn’t find that latest suicide-chic trend openly in our lyrics. That’s nothing we want to support as a band. But in general the mood we want to get across is quite desperate.
MA: But I think we’re always getting put into that pigeonhole, suicide-scarify-core or something like that.
L: Yeah I even read the definition lately “…at the next arterial-cutting club” or something like that. I think that was in the latest Green Hell catalogue, for the new Suicide File record, “if you don’t have all the 7”s you can buy the LP and impress everybody at the next arterial-cutting club”, something like that. But that’s really not cool. Suicide isn’t something cool and shouldn’t be glorified.
C: Another question, your influences are quite obvious, you can tell by listening, the cover songs you’re playing are speaking for themselves I guess?
MA: What do you think our influences are?
C: Well stuff like American Nightmare, Some Girls definitely, Unbroken, bands like that. Am I right or completely wrong?
MA: Waddim and I are writing most of the music now, before that there also was a lot of Trash influences. The new songs are heavily influenced by American Nightmare and Frostbite, Some Girls, too, but good Rock music as well. I also listen to good Rock music and that influences me, too.
C: Ok, now a quite generic question, what bands have been the most important for you the last few years?
L: Dude…
MA: I’ve been waiting for that question my whole fucking life!
C: Ok, go on then!
R: In the last five to ten years maybe.
L: I’m about to say Atomic Kitten, their break-up hit me quite hard…
(nobody’s talking anymore for a while)
MA: I won‘t begin, you’ll have to, I’m still thinking.
M: Should we do a top 5?
MA: Everybody a top 5.
L: Top 5… dude how long will that tape keep running?
C: Like half an hour or something.
L: Ok, let’s think about it some more…
MA: American Nightmare is definitely on top, I listened to a lot of Refused, hm, now I have to think again… Foo Fighters were quite influential, and besides that… at the moment I’d say… no I won’t say that. Please, you should go on, I’ll name two more afterwards.
M: Straight on top Guns’n’Roses, no contest. I grew up on their music.
L: Within the last five years?!
M: Oh, the last five years? Come on, let it be a little longer. Then, AN definitely, but to be honest that didn’t hit me that hard, I mean, was about time wasn’t it?
MA: It’s not about breaking up, isn’t it? Just about bands in general.
M: Anyway… Suicide File was hard, Panic… I don’t know. Got the records too late to see them live. Whereas Panic never even were here. [I don’t think Mark really got the question]
L: Yet!
M: Yeah they’re coming, so I can check them out. And besides that Some Girls most definitely, awesome.
L: So it’s my turn I guess, first: Genesis. I love Phil Collins, Phil Collins is God.
R: You know you’re about getting stigmatised as a yuppie?
L: I don’t care! Phil Collins because Genesis was my very first CD on my very first CD-player. Second, pretty cliché, American Nightmare. Unbroken really blew me away when I first heard Absentee Debate around 2000 or something. Count Me Out was very influential for me, at least the last two years. And Texas Is The Reason.
MA: Ok, I still have Highscore to mention, I can’t forget them, because I love Highscore. And… hm…, I want something really old… it’s between Chain Of Strength and Judge, can I take both?
C: Yeah.
MA: Fits anyway.
C: OK, last question, what do you want to reach with The Facts?
L: We’ve been to the studio lately to record nine songs, three of them will appear on the split 7”, three or four, that’s not so sure yet, we don’t know yet what will happen with the rest of them.
MA: We’re also on a sampler on Horrorbiz records.
L: Oh yeah, three songs right? [I don’t think that sampler ever got released. If so nobody bought it]
MA: Exactly. And then we want to release all those songs including the demo on a proper release. We’re looking for a label to do that right now.[Never happened]
L: Then we want to play lots of shows, not only regional ones, and to go on tour.
MA: Yeah, touring, I’ve got nothing else to do anyway.
M: We really wish to play a lot, to do a small tour for 10 to 14 days this winter, and we hope to get support from labels or booking stuff.
L: Hey we have a myspace profile, that will happen all on its own.
MA: Yeah, the world goes myspace. [those were the times…]
C: How did your connection to The Swords happen by the way? Because you’ve also shared the stage here in Münster a while ago.
MA: And before that in Recklinghausen. Well, they’re cool guys, we talked with them, Mark spoke to their singer in the parking lot, we said we’ll do a split 7” and that’s the way it was.
L: I know the guys from The Swords a little bit longer because of their other band Lotus, which is pretty cool, in the meantime they’ve become really good. The new songs are sooo good. I’m in contact with Phillip, their drummer, and he told me he had a new band, sent me a demo, and I think it’s incredible.
MA: The demo’s amazing. I’m curious about the 7” songs, they’ll be hard, those guys are amazing.
C: OK, if you have any shout outs, go!
MA: Be sure to check out Some Came Running [another breeding ground; their guitar player is now Goldust’s bass player, their bass player Nico did Blacktop Records and now plays bass in Storm and Stress, just to give you two examples], check out Short Fuse from Münster, who else needs to get checked out… November 13th from Hannover, cool guys definitely.
L: I think you always should take a close look at a band, what kind of people you have there.
MA: Support your own scene, not only US bands. Although we’ve just played for an US band haha. Support local bands not only hyped ones.
L: A little less Metalcore would be good, too.
MA: More Old School and Punkrock. More Reggae haha.
C: You’ve just mentioned hyped bands, which bands are overrated in your opinion?
MA: Justice. Just can’t understand that. Righteous Jams as well. I can understand the hype around Dead Stop and Restless Youth, they’re really good. And Short Fuse is good as well.
C: Ok, thanks a lot for the interview!
M: We have to thank you! L: How did you like the show today?
C: I think it was really good, no shit, one of the best shows the last months.
L: I was afraid nobody would show up because of Converge.
MA: I don’t know Converge, I only listen to Hardcore… THE BEATLES! I FORGOT THE FUCKING BEATLES!!! Fucking shit man, I’m waiting my whole life for that chance…
L: Just erase Chain of Strength. Or better, Chain Of Strength-Slash-Beatles.
MA: There’s no band that’s better than the Beatles, everybody who says something against the Beatles can fuck off out of my whatever fucking something.
C: So we’re done? Thanks, good night!
L: Thanks

Knives Out - Heartburn

This is one of the most underrated, unknown and ignored records that ever saw the light of day on Deathwish Records. It was released around the same time when bands like American Nightmare, Panic or Some Kind Of Hate where the bands to know, but somehow Knives Out never really made it, although lyricwise it perfectly fit the zeitgeist, and musicwise it's not too far from the beforementioned bands. But at the same time it's something on its own. The music somehow sounds like a mixture between 2k1 bands like Horrowshow or Frostbite and San Diego bands like Drive Like Jehu or the Swing Kids, with an emphasis on the first ones. The lyrics are about loneliness, death, isolation and so on. All in all the athmosphere is very depressing and cold, just perfect for the upcoming winter days.

Boulder - Ripping Christ

This is a best of compilation of a band called Boulder. To be honest, I don't know very much about this band when it comes down to basic facts. Metal Archives tells me that this band played "Heavy Metal", was formed in 1991 and had a shitload of releases. But I've heard that there is a connection between members of Boulder and the early to mid nineties Cleveland Hardcore scene, but again: no hard facts. Musicwise this band has way more in common with Hardcore bands like Iron Age or War Hungry than with your average Heavy Metal band. I mean the vocals are heavily distorted (not unlike Eyehategod) and screamed, and you have tons of grooving parts, and the songwriting is in general more Punk than Metal, means short songs, and most of the time simple structured. The tracks on this compilation that have been originally released on their later records are even a little bit chaotic, maybe like a stoner version of Coalesce. Or something like that. So no more blabla, if you dig bands like the above mentioned and have a certain affinity to Sludgecore in general, you can't go wrong with Boulder.

Void - Potion For Bad Dreams

Many times you'll read about Void that they were ahead of their time with their Metal influenced Hardcore-Punk, but I'd rather say, they were completely out of everything. Their "Condensed Flesh" demo and their side of the Void/Faith split is just so far beyond everything any other band has ever done, it's no surprise that Void became one of the real cult bands of the early 80ies Hardcore movement. The screams, the wild, chaotic lead guitar, the insane speed, for sure a must-know for everybody who listens to Hardcore. But what's that I've found quite some time ago in the depth of the internet? The demos of the unreleased second Void LP (or first LP, depending on if you'd say the split is a real LP) "Potion For Bad Dreams". To be honest, it's not that great haha, I mean Void went the same way a lot of bands went from that era: slowing down, more rock, less punk. Of course you still can tell it's Void, the vocals are still quite crazy, and all the rock leads where there before as well, but now they are played cleaner (and, if you want, a little bit better). Somehow this sounds like Void trying to play Mötley Crüe songs, and in a way it's cool (because it's Void) but really, basically it's the demo for a average rock album. So don't expect too much, but listen to it anyway, you know, for the record. Some of the songs break off suddenly, the sound itself is pretty good, I guess they were recorded in a proper studio.

Johnny Angel - They Have Lift Off

So, today I've decided to upload a rather obscure record. That means, not that obscure, but at least obscure enough that not everyone who should know it knows it. The most valuable fact about this band that will make you read further (or stop reading at this very moment) is that this was the band Dave Claiburn of Unbroken played in after their break-up, and I've heard that he played guitar in Johnny Angel. But I've also heard that he sang, but I don't really know, the vocals don't sound like him at all, so I guess I prefer the guitar-playing version.This record was released on CD by Bloodlink Records, and I have a 10" vinyl version here that was released on a German label called SNC Empire, but I guess there also exist a US pressing. That's all the basic facts I know. When it comes down to the music, one band has to come to your mind, especially when you know in band what Eric Allen played in after Unbroken: the Swing Kids. The music of Johnny Angel is, at the first hearing, so much like the Swing Kids that they could be easily mistaken for them. Of course, after listening to this a few times more you can hear some slight differences, Johnny Angel is a little bit more aggressive, maybe a little bit more punk, and a little less jazzy than the Swing Kids. But sound-wise, especially vocal-wise, it's really similar to the Swing Kids. So if you like the them, you'll most definetly like Johnny Angel, if you get turned off by spastic 90's screamo, you probably won't like it. I love it.

Black Sabbath - Radio One Session (1970)

I guess everybody who ever listened to any kind of "rock music" knows about Black Sabbath. Everybody who listens to any kind of Metal has to worship them, and even every Hardcore kid should at least accept the fact that some of the greatest Hardcore bands were heavily influenced by Black Sabbath, for example Black Flag, Void or Integrity. Although I love most of the stuff they did with Ozzy, and like some of the stuff they did with Dio, I can understand that, especially people with a Hardcore backround, don't like the stuff with the latter, because of his voice. Well, Heaven & Hell is much better than some of the later recordings with Ozzy, but that's just my opinion.
What I uploaded here is a Radio session Black Sabbath (with the classic line-up Osbourne/Iommi/Butler/Ward) played at April 26th 1970 for John Peel's "Sunday Show" on Radio 1. The songs are "Black Sabbath", "Walpurgis", "Faries wear boots" and "Behind the wall of sleep". "Black Sabbath" lasts 9:25 minutes, is played a little bit different and slower than the album version, and way heavier. Especially when Ozzy says "oh no please god help me", I mean it's already quite frightening on the LP, but here you really see Satan sitting behind the desk, and not John Peel. Ozzy's vocals are great throughout the whole recording, by the way. "Walpurgis", the "pre-Warpigs", comes up with slightly different lyrics, one of the best Sabbath songs anyway. With "Faries wear boots" one of the "lesser" known songs is also there, probably everybody knows it anyway, but you know, it's not exactly "Paranoid". "Behind the wall of sleep" is faster than on the LP, and the arrangements are a little bit different as well. Fuck I love Black Sabbath. The sound of the recording is bit "dusty" but I think it fits the mood perfectly, very necro and heavy.

Bloodnation

The year 2004. While visiting an old friend of mine we drove in his car somewhere, and he put a tape in, saying something about a collaboration between two of my favourite 90ies Hardcore bands, Damnation AD and Bloodlet (in Damnation's case, one of my favourite bands in general). 4 years later I remebered that, but forgot the name of the project (which was pretty dumb of me, since "Bloodnation" makes perfect sense), I forgot if my friend said if this was ever regular released, everything. And he moved far away and we don't have any contact anymore, sadly enough. So after some research on the internet all I could find was this one track, "Flesh of another", in a ok but not amazing sound quality. I don't know anything about this project, neither when it took place, nor if there exist more than this one track, nor if it ever was properly released, nothing. So if anyone has any information about this, please comment!
The track itself is awesome, of course. Quite weird of course, but really a perfect mixture of the two participants, dark, moody, emotional music with a slight Jazz influence. Not the music to make some sweet love to, but music to drown in. So once again, if you know something about this, comment!

Nirvana 2002 - Disembodied Spirits (Demo)

To be honest, I wouldn't know shit about this band without Ekeroth's book about Swedish Death Metal. But since he mentions this band a few times, and how great they were and so on I decided to check them out, which is quite easy it times of the internet. They never released a real record, only a bunch of demos, and this demo was released in 1990, has a powerful production, awesome songs, sick riffs and great vocals. I mean I am surely not the biggest expert of Death Metal, but I do know about good music, and this IS good, definitely at the same level like the early Entombed/Dismember/Grave stuff. Be sure to check this out, otherwise you'll miss something.

Catharsis - s/t

Do I really have to tell anybody anything about this band? Their influence? Their sound? If so, please check this interview out and get educated. Seriously, everything this band did was awesome, yes, even the reggae influenced track on "Passion". To be honest, I don't really like what Brian was doing in Requiem and with his new band which is so aweful I forgot their name already. But Catharsis have recorded enough and is deep enough to keep you entertained for years (that's what this band did for me). I uploaded the s/t record, which contains the first 7" and some rare recordings/songs, including a really awesome Breakdown cover. If you don't like Catharsis you're definitely reading the wrong blog.

Asphalt - 357 Knock Out

This is one of the rather obscure records that came out on Dwid's Dark Empire label (he's also doing guest vocals on one song). Unfortunatly I don't know really much about this band, only that Asphalt was formerly known as False Hope with Sal LaPiccollo (bass), Hawthorne Smith (guitar) and David Nicholi Araca who died shortly after the recordings for this full length due to a brain aneurism.
The music itself is far beyond everything that kids nowadays know as "Clevo-Hardcore" or Holy Terror sound, when they talk about bands like Rise and Fall or Shipwreck (...). This record is really dark and sick, I mean, it has a really sickening feeling to it, which is hard to describe. And the music goes way further that your typical Integrity clone-band, it shows influences from Post-Hardcore, Black Metal, Stoner and what not, with strange time signatures and a really good production. If I had to come up with a mixture to describe it I'd say it sounds like a mixture between Pale Creation (on their Twilight album) and Shining's "Halmstad". Especially the vocals remind me a lot of times of the latter. Of course this is not nearly catching how Asphalt sounds like. So I really recommend to everyone to listen to this, open a bottle of redwine and just get the feeling.